Once a year I do a proper review of my instrument collection and decide whether to move on some of the collection. This can be for a variety of reasons. Sometimes some instruments have served their purpose and have been superceeded by new aquisitions.

I have a checklist of four fundamental questions when deciding whether to keep or move on an instrument

1 Do I use it live?
2 Do I record with it?
3 Do I write with it?
4 Am I keeping as an investment or for sentimental reasons?

I’m lucky enough to travel across the globe each year and to know where to find the very best instruments. The biggest challenge of living in the UK is that we simply don’t have the choice that would be available in many other countries. Stores like Rudy’s Music in New York and Carters Music in Nashville simply don’t exist in the UK for guitars. For ukuleles there are numerous great stores in Japan than offer instruments I’ll never see in the UK.

Custom Built instruments that are “keepers”

I never set out to be an instrument collector, but mostly seek out instruments for live work, writing or recording purposes. With live work any instrument needs to be amplified and 100% reliable. Some instruments are better played acoustically without pickups and of course every instrument requires different amplification considerations. This is one of the reasons why questions like “Whats the best pickup or amp?” are totally meaningless!

I have increasingly sought out had made custom instruments rather than production line instruments. Yes, there is a higher financial ticket price but the attention to detail and quality is usually much higher. There are few companies who reach such quality standards and Collings guitars definately falls into that catagory. I interviewed Bill Collings many years ago and told him that I have never played any acoustic or electric Collings instrument that was anything other than excellent. Bill had the perfect ability to figure out the very best elements in brands like Martin, Gibson and Fender and then improve on what they did.

I own a number of Collings instruments including an I35 electric, a tenor guitar, a 6 string acoustic and two concert ukuleles. All are superb. In terms of custom builds my preference for ukuleles is Takahiro Shimo and I have eight of his instruments so far. I also own two Stefan Sobell acoustics and a mandola. Stefan is another great builder and like Shimo there is a wait for any instruments as they are greatly in demand. Pete Howlett is also a superb builder from Wales and Gregor Nowak from Vienna continues to amaze me with his instrument builds. Almost without exception any of these purchases are keepers and the production models are the ones that usually get moved on at some point.

Space and other considerations

Ukuleles and mandolins are small bodied instruments, so don’t take up a lot of space. Guitars however can soon take up a lot of space, especially if you have good protective cases for each instrument. Suddenly space (or lack of it) can be an issue.

I’m a big fan of instruments being played and its of course once you get to a certain volume of instruments its impossible to play them all on a regular basis. I’d rather pass on some such instruments so they get the attention they deserve, than have them just sitting in cases.

Here are some of “the keepers”

When is it time for an instrument cull?

You May Also Like